![]() ![]() We wanted that to feel authentic in its harshness but also visually appealing, so we walked a fine line with that throughout the grade. The room was quite bare and lit with fluorescent lights. In addition, a key part of working with DaVinci Resolve Studio was focused on achieving consistency between all the images, as Robinson explains, “Even though the film takes place mainly in this one room, there were a lot of subtle continuity concerns to keep us on our toes. ![]() The limited settings and situations dans Réalité prompted meticulous color grading that sought to remove the characters somewhat from the austerity of the room and add details highlighted by color, sometimes subtly and sometimes more overtly. As ‘Reality’s’ story unfolds, the visual language slowly shifts from procedural and objective to subjective and visceral.” Color in Réalité We wanted to limit the visual stimulus at the start of the movie so that any camera or character movement or lighting cue would feel deliberate and purposeful. To better understand this work from a visual point of view, Paul Yee, Reality’s director of photography, delves into its visual particularities: “It takes place in one house, mostly in one bare room, over the course of a few hours. Tina Satter directs this project that adapts the transcript of the actual interrogation depicted in the play Is this a Room, resulting in a visceral tape that reproduces verbatim dialogue from the audio recordings recorded during the interrogation. ![]() Air Force member and translator at the NSA who becomes an informant. ![]() World premiering at this year’s Berlin International Film Festival, Réalité tells the true story of the FBI-led interrogation of Reality Winner (Sydney Sweeney), a former U.S. DaVinci Resolve selected for grading of ‘Reality’ (HBO Max) Color grading for HBO Films (HBO Max) docudrama ‘Reality’ was executed by Marcy Robinson ( Nice Shoes ) using Conception de Blackmagic DaVinci Resolve Studio software. ![]()
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